#FOREST OF DRIZZLING RAIN GAME LENGTH FREE#
This being, I honestly say, a passing article in the column to pass from the first to the second generation, I will not really talk specifically about the public personality of Makoto Sanada and how he started producing video games (not even in the Author-Work Relationship), as I did in the very first Back To The Future article with his namesake Makoto Kedouin…īecause I’ll just leave that job for the Angels Of Death article.įor now I start by saying that in an interview for the magazine “Almost Free Game Magazine” about Angels Of Death, Makoto describes the start of the development of The Forest Of Drizzling Rain (which I will shorten for convenience to Kirisame ) as an inspiration from the case of Ao Oni, which he discovered together with his friends in the period following his degree in theater.
A development troubled by pure impatience. Whoever has it lasts wins it.Įle will start with the “ Product History”, I, PaoGun, will see you later with the “Trump Card”. īut for this you will have to continue to patiently follow the column until the end. It is also the great story of a tool.Īfter all we are now finally talking about the Second Generation, with which we could finally conclude the increasingly intricate and painful journey from the world of Horror RPGs to the market of Horror RPGs, but this is only the beginning of the long third act that we will begin in the company of Makoto Sanada with his first experience, The Forest of Drizzling Rain, to go together, one step at a time, in one of the great “demons” that the liberal market has produced since the beginning of the centuries, corporations. The great epic tale of a genre of games, of a generation of authors, but not only that. History of the product, history of horror rpgs, what we tell on this site are stories in this column we are just collecting them to tell a greater one. However, in the last few days something has happened that reminded us that by writing these articles we are not just “talking about games”.
We had reached such crucial points in the demo that I was nervous about stopping everything suddenly to “talk about other titles”: I thought, “ man, I would really like to continue working on producing the story of our game! ”. I, PaoGun speak mostly regarding my case.
Originally posted by Space Detective:The two games are pretty much different genres, Ib being an adventure game baring similarities to point-and-click games, while Yume Nikki is almost purely an exploration game with little-to-no puzzles.We had very little desire, after our long period of absence, to return to the Ludi Tarantula Archives, especially for of Back To The Future. Just remember that while there is a "goal" the main point is to explore, and what "story" there is is left up to the player to decide. That said, if you enjoyed some of the stranger and more surreal sights in Ib, Yume Nikki will certainly provide much of that. Not that there isn't horror to be found (hi Uboa), but you'll probably be disappointed if you go into this for spoops. Their approaches to "horror" are also different, Ib is more-or-less a conventional horror experience (though well-done IMO), while Yume Nikki has relatively little actual horror in it, preferring to revel in surreality and symbolism most of the time. Their approach to story is also completely different, Ib has a conventional story with a defined plotline, and on the flipside Yume Nikki's "story" is only implied and filtered through the player's interpretation of Madotsuki's dreams. The two games are pretty much different genres, Ib being an adventure game baring similarities to point-and-click games, while Yume Nikki is almost purely an exploration game with little-to-no puzzles.
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