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With The Mandalorian having introduced Fett’s previously unalluded-to code of honor, his approach in The Book of Boba Fett implies that one of Star Wars most iconic villains might be on a journey towards more ambiguous antihero status. And while taking down an angry reptile on Tatooine – a wonderfully Ray Harryhausen-esque creation – should be all in a day’s work for the man who delivered Han Solo to Jabba the Hutt, ruling by consensus feels like a push beyond his comfort zone. While the street brawl shows he’s still partial to the odd disintegration, all that chatter about respect could have spouted from the mouth of The Godfather’s Don Corleone. Pre-release interviews for The Book of Boba Fett have promised it’ll play up the organised crime elements of the story – and that’s definitely borne out here.īut ‘Stranger in a Strange Land’ also hints that what we thought we knew about Boba Fett – which, to be fair, is next to nothing – may be wrong.
Midway through episode 1, they're forced to deal with at least one display of defiance from a rival crime boss, and a fantastic street battle that belatedly shows – nearly four decades after their first appearance – why Jabba chose to employ Gamorrean guards as bodyguards. The episode also does enough to suggest that Boba Fett and his right-hand-woman, Fennec Shand, won’t be getting everything their own way. It’s the perfect environment for Fett, a place where he’s known and feared, yet still has to reinvent himself to fill Jabba’s (metaphorical, obviously) shoes.
The trips to the Bacta tank also show the physical and mental scars that Fett's extended stay in the Sarlacc have left on him, with his need to regenerate after the Mos Espa street battle an indication of his new limitations – whether intentional or not, the parallels with fellow masked Star Wars villain Darth Vader are clear. The two timelines interweave without ever feeling contrived or confusing, although the over-reliance on Fett’s backstory does leave the episode feeling unbalanced its criminal machinations slightly undercooked as a result. Using Fett’s Bacta tank dreams – as a framing device – is an ingenious move that allows his memories to mesh seamlessly with his present as a Tatooine’s number one crime boss. The biggest surprise in ‘Stranger in a Strange Land’, though, is how much is told in flashback. Capitalizing on the world-building George Lucas started nearly 45 years ago, director Robert Rodriguez effortlessly recreates the Space Western aesthetic of A New Hope and Return of the Jedi, ensuring there are plenty of familiar faces and races hanging around in those wonderfully wretched hives of scum and villainy, too. With no Force powers and Imperial entanglements limited to an unfortunate Stormtrooper who’s taken a tumble into the Sarlacc, this is an entertaining return to the Tatooine underworld that was integral to the original trilogy, yet has largely been side-lined since. A 3D reissue, which has earned an additional $102.7 million at the box office and brought the film’s overall worldwide takings to over $1 billion, was released in February 2012.Perhaps The Book of Boba Fett’s smartest move, however, is taking the action back to the planet where Star Wars began in 1977. It became the highest-grossing film of 1999, the highest-grossing Star Wars film (until the release of Star Wars: The Force Awakens in 2015), and is currently the seventeenth-highest-grossing film in North America unadjusted for inflation. Despite mixed reviews from critics, who tended to praise the visuals, action sequences, John Williams’ musical score and the performances of Liam Neeson, Ewan McGregor, Pernilla August, Ray Park and Ian McDiarmid, but criticize the writing, characterization and the majority of the acting (particularly from Ahmed Best and Jake Lloyd), it grossed more than $924.3 million worldwide during its initial theatrical run, making it the second-highest-grossing film worldwide at the time, behind Titanic. The film’s premiere was extensively covered by media and was greatly anticipated because of the large cultural following the Star Wars saga had cultivated.
The Phantom Menace was released to theaters on May 19, 1999, sixteen years after the premiere of the previous Star Wars film, Return of the Jedi.
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